Beyond Stereo: The Rise of Immersive Sound
About the panel
Moderator
Brecht De Man
Head of Research / President — PXL-Music / Audio Engineering Society
Brecht De Man is an audio researcher, educator and engineer working at the intersection of music, technology and sound. As Head of Research at PXL-Music and President of the international Audio Engineering Society, he brings together research, industry and creative practice to explore what new audio technologies mean for artists, venues and audiences.
Speakers
Nico Elliott
Co-founder & CEO — Polygon Productions
Nico Elliott is co-founder and CEO of Polygon Productions, the team behind Polygon Live and Polygon Portal in London. Polygon creates music experiences built around 360° spatial audio, from large-scale festival environments to intimate listening spaces where audiences are placed inside the music.
Wouter Vanhaelemeesch
Music promotor & festival curator — Club Wintercircus
Wouter Vanhaelemeesch is part of the team behind Club Wintercircus, the underground music venue inside Ghent’s spectacular Wintercircus. Designed as a 360° environment for concerts, nightlife and audiovisual experimentation, the club explores new formats for spatial audio concerts, immersive listening sessions and live audiovisual experiences.
Kristof Jeuris
Commercial Director — AREAL Technologies
Kristof Jeuris is Commercial Director at AREAL Technologies, a company developing innovative spatial audio solutions for live entertainment, music venues and immersive experiences. Working at the intersection of audio technology and the live industry, he helps bring immersive sound into real-world environments, including Club Wintercircus in Ghent. His perspective focuses on how spatial audio technologies can become accessible, scalable tools for creating new ways of experiencing music and live entertainment.
Laurent Dupuy
Co-founder & CTO — Delacroix Studio
Laurent Dupuy is a Grammy Award-winning mixing engineer and co-founder and CTO of Delacroix Studio, an immersive audio agency creating spatial sound experiences across culture, entertainment and experiential design. His work explores how immersive audio can move beyond technology to become a creative medium for storytelling, emotion and audience engagement.